http://mentalshrapnel.geoffreynyoung.com/2006/01/working-with-what-youve-got.html Things get stuck in my head. This is where I put them. Sat, 22 Nov 2008 00:16:42 +0000 http://wordpress.org/?v=2.6.2 http://mentalshrapnel.geoffreynyoung.com/2006/01/working-with-what-youve-got.html#comment-12 Geoff Wed, 11 Jan 2006 20:42:00 +0000 http://geoffreynyoung.com/mentalshrapnel/?p=46#comment-12 Hey Scott, thanks for the note. I am really digging the the harmonies I can create by fingering the high G and the high D at the same fret. You can either pluck them individually or just strum across and let the A string drone between them. I have a few ideas I'm messing around with; maybe I'll post some tabs one day. Hey Scott, thanks for the note. I am really digging the the harmonies I can create by fingering the high G and the high D at the same fret. You can either pluck them individually or just strum across and let the A string drone between them. I have a few ideas I’m messing around with; maybe I’ll post some tabs one day.

]]> http://mentalshrapnel.geoffreynyoung.com/2006/01/working-with-what-youve-got.html#comment-11 scottandrew Wed, 11 Jan 2006 16:19:00 +0000 http://geoffreynyoung.com/mentalshrapnel/?p=46#comment-11 DADGAD was a real breakthrough for me in that the voicings were so much different and richer than standard tuning. My girlfriend sent me a webpage of Richard Shindell tabs written for DADGAD, and I was hooked. (That said, I've only written 2 or 3 songs in that tuning.) DADGAD was a real breakthrough for me in that the voicings were so much different and richer than standard tuning. My girlfriend sent me a webpage of Richard Shindell tabs written for DADGAD, and I was hooked. (That said, I’ve only written 2 or 3 songs in that tuning.)

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